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Artists:

Angus

Ken Auster
André Balyon
Simon Balyon
Evgeny & Lydia Baranov

John Berry

Suchitra Bhosle

Brian Blood

Lovemore Bonjisi

Jackie Bowker
John Paul Braman

Dmitri Danish

Marcel Demagny
Stuart Dunkel

Cathrine Edlinger-Kunze

Mark English

Ann Fleming

Randy Ford

Martta Garcia

Mark Geller 

Marty Goldstein

Lindsay Goodwin

Georgetta Grabovschi

Dan Graziano

Michael Gumbert

Peter Gwisa
Corinne Hartley

Carolyne Hawley

Katherine Houston

Jeff Jamison

Javier

Christian Jequel

Laurie Kersey
Mostafa Keyhani
Milt Kobayashi

Andre Kohn
D.Edward Kucera

Sinisha Labus

Jeff Legg

Jhenna Quinn Lewis

Joseph Lorusso

Matthew Lovein

Anna Marinova

Tony Milici

Clark Mitchell

Alfredo Navarro

Agnes Nyanhongo

Moses Nyanhongo

Mark Pettit

Pietro Piccoli

Ramon Pujol

Bette Ridgeway

Wayne Salge

Leslie Sandbulte

Duffy Sheridan
Marilyn Simandle
David Smith
Michael James Smith

Gregory Stocks

Daniel Van der Putten
Kent R. Wallis
Edward Norton Ward

Charles White
Leonard Wren

 

 

 

 

 

 

  

 

Martta Garcia

"Grados, Minutos, Segundos"

"37 Segundos"

"Miradas Habitadas"

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Art represented on this page is subject to prior sale.
Additional art is available from this artist.
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Martta Garcia

(Spanish)

     Martta García was born in Zaragoza, Spain in 1974. Since childhood she was fascinated with drawing and painting. By the age of 12, she devoted the entirety of her free time to drawing what she observed of the world around her. This analysis of her environment sharpened her attention to detail and perception of urban culture. In 2013 that she began to paint professionally after training with the painter Eduardo Lozano, who encouraged her to pursue her talents and capture her surroundings.

Artist statement

    Art has the power to question our way of seeing and our ways of reacting to the world. In my artistic process I try to create images that invite examination from the viewer.

     In a world saturated with visuals, a world in which people strive "to see and be seen," I want to reflect on what we see and what we do not see, and what we think we see and what we really see. Most of the time it is not our eyes that see, but rather it is our mind. I offer the spectator the opportunity to train their gaze.

     I travel through cities and I take photographs that I then use to develop my work. This is an important element in developing the description of all the characters and the stories in each painting. I immerse myself in the crowd, a crowd that attracts me, paralyzes me, moves me, surprises me, and inspires me.

 

 


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