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Artists:

Ken Auster
André Balyon

Nanne Balyon
Simon Balyon
Evgeny & Lydia Baranov

Suchitra Bholse

Brian Blood

Eric Bowman
John Paul Braman

Michael Carson

Marie Channer

Noah Desmond
Stuart Dunkel

Barrett Edwards
Martin Eichinger

Mark English

James Fetherolf

Randy Ford

Mark Geller 
Ted Goerschner

Marty Goldstein

Lindsay Goodwin
Corinne Hartley

An He

Jeff Jamison

Javier

Rusty Jones

Laurie Kersey
Mostafa Keyhani
Milt Kobayashi

Andre Kohn
D.Edward Kucera
Linda Lee Kinman

Mike Larsen

Heather Larson

Jeff Legg

Po Pin Lin

Frank Magsino

Kathryn Miller
Rosemary Miner

Clark Mitchell

Fernando Pedrosa

Javier Pedrosa

Mark Pettit

Gabriel Picart

Ramon Pujol

Duffy Sheridan
Marilyn Simandle
David Smith
Michael James Smith

Gregory Stocks

Mark Thompson

Daniel Van der Putten
Kent R. Wallis
Edward Norton Ward

Charles White

Alice Williams
Leonard Wren

Benjamin Wu

Romona Youngquist

 

 

 

 

 

 

  

 

IGOR Artists

 

Lee Alban (2)

Harold Allanson

Patt Baldino

Jerry Berg

Linda Besse (2)

Mary Ann Bidder

David Billingsley

JoAnn Bosowski (2)

David Bowers

Peter Carey

Pamela Carroll

Marie Channer

Jane Chapin

Donald Clapper

Jean Cole

Ed Copley (3)

Mary Jane Cross

Kimberly Dow

Stuart Dunkel (2)

Flavia Eckholm

Camille Engel (2)

Teresa Fischer

Randy Ford (2)

Dragan Gilic

George Gonzalez

Lindsay Goodwin (2)

Patricia Guzman

Lindsay Handyside (2)

Aaron Brent Harker

K Henderson (2)

Gary Hernandez

Clinton Hobart (2)

Brenda Howell

Joan Johnson

Steven Jones

Grace Kim (2)

Lorena Kloosterboer (2)

Edward Kucera

Sharon Guyton Lalik

Gary Lang (2)

Heather Larson (2)

Jeremy Lebediker (2)

Ning Lee (2)

Rebecca Lee (2)

Deborah Maklowski (2)

Tatiana McWethy

Juan Medina (2)

Tatiana Myers

Eileen Nistler

Karen Noles (2)

Vala Ola

Benji Palus

Arleta Pech (2)

Cees Penning

Dianna Ponting (2)

Sandra Robinson

Howard Rogers (2)

Jo LeMay Rutledge (2)

Ken Scaglia

Duffy Sheridan (2)

Edward Smalarz

Craig Srebnik (2)

Ardith Starostka (2)

Stephen Stavast (2)

Cathy Strapp (2)

Mark Thompson (2)

Patricia Tribastone

James Van Fossan

Ann Kraft Walker (2)

Kun Wang (2)

Elizabeth Weiss (2)

Johannes Wessmark (2)

Sandra Willard

Alan Wylie

Karen Yee (2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

"Crow Ceremonial Pouch"

Director's Choice Award

"Crow Ceremonial Pouch"

52" x 40"

Ed Copley
Oil on Linen
"Sewing Break"

17" x 28"

Ed Copley
Oil on Linen
"Peaceful Dreams"

34" x 40"

Ed Copley
Oil on Linen

Ed Copley


MODERN DAY OLD MASTER
by Dr. Lew Deitch
Working from his studio in Scottsdale, Arizona, Ed is a man of many visions. He is equally as comfortable painting a landscape of the Sonoran Desert with its majestic saguaro cacti piercing a storm tossed summer sky, a Tarahumara Indian woman with a weatherd face, set against the backdrop of the Barrancas del Cobre of northern Mexico or a classical image of the Blessed Virgin Mary. No matter what the subject, he portrays it with realistic depth and brilliance, attempting only to bring it to life in a most exquisite manner. His representational style draws together many techniques dating back to the renaissance, masterful and painstaking skills that have nearly vanished in an art world that is often more consumed by commercialism.

"I have always been fascinated by art," says Ed. "From the age of five or six, I wanted to be a painter. And I have studied for many years to understand how the Old Masters achieved what they did. After attending two fine art schools and starting a career as an illustrator, I was still seeking more knowledge. I continued to study on my own and then went into the highly specialized field of restoration of oil paintings. I realized that I liked to solve problems, essentially doing detective work. If you have ever stood in awe in front of a great painting and wondered how on earth they created it then you can understand why restoration work can be so challenging. I wanted to find how they painted, as these old artists created works of art that hardly seemed possible." Ed goes on to note, "Answers to the mystery of how they painted came via my work in the restoration and conservation of old paintings. Art restoration is a highly specialized field that requires several unrelated skills from its practitioners. Those who excel in art restoration are combination scientist, historian, artist and exceptionally talented craftsman all rolled into one. The work also requires an inordinate amount of ingenuity, skill and patience."

Today he is well known nationwide for his authentic representations of Native American tribes, painstakingly researching their cultural complexities to insure that the detail in each of his compositions is totally accurate. In June 2007, he went on a photographic expedition to northeastern Wyoming to document the Cheyenne, Crow and Blackfeet culture, just one example of his ongoing quest to gather authentic material that ultimately becomes part of his painting repertoire.

Ed's studio calls to mind images of a European master from the 16th or 17th century. More like an atelier, replete with antique furniture and rustic walnut wooden floors, it is one in which many paintings and drawings sit on easels, as the artist busies himself going from one to the other, working simultaneously on several compositions. All that are missing are apprentices, as was true in the renaissance. In part the number of works in progress results from the Old World technique of glazing-the use of thin layers of paint diluted with oil that are applied in successive layers through the course of time. Each layer must first dry before the next application, and this is a labor and time intensive method that precludes an artist from simply concentrating on one composition at a time. The art of glazing developes richness in detail and color without the use of heavy applications of paint, but because it is such a slow process, few artists choose to use it at the present time.

Although Ed could take shortcuts and create works that would please many collectors, he believes strongly in his principles, devoting much time and energy into producing works of enduring quality. He notes that longevity is the test of the legacy of an artist. "Look around at the great museums and see what stands the test of time. It is classical art, which is something that people can relate to and understand. It is a responsibility if you are going to execute quality paintings. It requires a lot of study, work and sensitivity. Every artist must try to accomplish his or her highest level of excellence.

With a classical attention to composition, meticulous attention to his use of light and devotion to the Old World application of pigment, Ed's paintings will remain perpetually enchanting in the mind and heart of his collectors. There is no doubt that his paintings will earn their place in the contemporary history of art.


Carmel Galleries:
Gallery location on San Carlos btwn 5th & 6th
and Gallery on 6th btwn San Carlos & Dolores
Phone: 831-626-9100
Phone: 831-626-7300

Phone: 831-626-0735

Toll Free: 888-278-0040
Fax: 831-626-6840


Palm Desert Gallery:
73-375 El Paseo, Suite A
Palm Desert, CA 92260
Phone: 760-674-8989



Website:
http://www.Jones-Terwilliger-Galleries.com