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Artists:

Ken Auster
André Balyon

Nanne Balyon
Simon Balyon
Evgeny & Lydia Baranov

Suchitra Bhosle

Brian Blood

Jackie Bowker
John Paul Braman

Juan Cossio

Ventura Diaz
Stuart Dunkel

Cathrine Edlinger-Kunze

Barrett Edwards
Martin Eichinger

Mark English

Ann Fleming

Mark Geller 
Ted Goerschner

Marty Goldstein

Lindsay Goodwin

Georgetta Grabovschi

Dan Graziano
Corinne Hartley

Carolyne Hawley

An He

Gary Holland

Jeff Jamison

Javier

Christian Jequel

Laurie Kersey
Mostafa Keyhani
Milt Kobayashi

Andre Kohn
D.Edward Kucera

Jeff Legg

Joseph Lorusso

Matthew Lovein

Frank Magsino

Oscar Mersch

Tony Milici
Rosemary Miner

Clark Mitchell

Anne Neilson

Alfredo Palmero

Mark Pettit

Pietro Piccoli

Ramon Pujol

Leslie Sandbulte

Duffy Sheridan
Marilyn Simandle
David Smith
Michael James Smith

Gregory Stocks

Dale Terbush

Daniel Van der Putten
Kent R. Wallis
Edward Norton Ward

Charles White

Alice Williams
Leonard Wren

Zhaoming Wu

 

 

 

 

 

  

 

Leslie Sandbulte

"Hair Salon"

"Catching Up"

"One More Thought"

"Polka Doys in Fuchsia"

 

"Switching Tables"

 

"A Shoulder to Lean On"

SOLD

"Lush Landing"

"A Soft Place to Land"

"Lysandra in Yellow"

"All that Jazz"

"Proposal in Giverny"

"Purple Reign"

"Bubbles"

"Twirling in Polka Dots"

"Flower Girl"

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Art represented on this page is subject to prior sale.
Additional art is available from this artist.
Please contact the gallery in order to get the latest information.


 

Leslie Sandbulte

  

“The element of design is primary to me. Models are often

posed after the surrounding framework is established. I

seek ideas from Japanese art and the block prints of such

French Impressionists as Vollard (the printmaker), Toulouse

La Trec and Casset.

 

I choose to keep my palette minimal, keeping the focus on

design. The muted combinations of hues that can be found

in Asian art are key. Forms are carved out with intense,

exaggerated dark values. “Neutrals” are often strange

unexpected colors giving a reflective glow to the skin in an

allaprima manner. Brush strokes are allowed to be thick,

buttery and honest.

 

There is a spirit that I seek of those busy city moments of

waiting, thinking and daydreaming in the bustle of a hurried world.

By having the subjects flow off the borders of the canvas,

 I can create a feeling of intimacy by drawing in the viewer. The

relationship between figures I leave unresolved,

so that the viewer is left with something to

think about, as he becomes a participant in the scene.”

- Leslie Sandbulte

 


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Phone: 760-674-8989

 

Website:
http://www.Jones-Terwilliger-Galleries.com